![]() Garamond font is characterized by fluid, yet rather consistent nature. The modern style contains no bracketing, vertical stress, abrupt contrast between thin and thick strokes, and letters and constructed. The transitional style has vertical stress, finer strokes, and bracketed serifs. Compared to more modern styles, Old Style is characterized by little contrast between thin and thick strokes, rounded letters, presence of bracketed serifs, eight and two o’clock stress. When font families are compared with one another, the professionals contrast between their x-height, serifs and bracketing, stroke variations, and stress (Family Classifications of Type, n. They were developed during the 19 th and 20 th centuries. After that, such styles and Slab Serif, Sans Serif, Decorative, and Script styles occurred. Finally, Modern style includes the achievements of the late 18 th century. Transitional style can generally be referred to as the mid of the 18 th century. Old style covers changes and development that date back to the 15 th-17 th centuries. Mainly, the history of typefaces stating from the 15 th century is divided into several different periods. The last name of the original designer was kept to recognize Garamond fonts. Later, it was brought back to life by modern designers and French National Printing Service and American Type Founders, namely. As a result, his typefaces disappeared for two hundred years. In 1561, after Claude Garamond died, his wife had to sell all of his punches and tools. Greek, Roman, and italic fonts designed by Garamond were purchased by various publishers to print outstanding literary works of the 1500s, including “Paraphrasis in Elegantiarum Libros Laurentii Vallae” by Erasmus (Font Designer – Claude Garamond, 2015).Īs a result, Garamond’s work was re-created and adopted by other punch-cutters. The designed never managed to acquire any revenues from his inventions even though they became incredibly influential all around Europe of that time.
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